Vassilis Galanos offers a Joycian poem, which plays complexly with language and its limits: 'all sound is loanlanguage surmounded by silonce'.
By Vassilis Galanos
Celibrating the parasatufernalia while snorkelling on a visahunt.
These are thunderwater diaphragmenta.
Ophisial Kafkaboros worshipper promise that there isn’t but there is a haunt.
Tourism is culture’s shipwreck as long as shipwrecks satisfy selfiesist tourists.
We breach the age of enwhitendent, the sobriety of receptacle.
Glitchens we dislichens, a year where Charles Deepens.
All sound is loanlanguage surmounded by silonce.
Frogues, cognizant cogwheels on cornfog’s
soma-semantic hornlegged highber-heels.
Qwertified-pipernetics, alas, the feudosilence.
The hat in the catmememat. Artefeacal blink on the blancomat.
Civil sigil, hardchoreograffidavit, Duffy, Dafaque.
The opaqueness of transparent governance versus
transparents+blackness on the Dao to Uchronia.
Repthelyon, accept the ecosophices of triple felix.
Egollectivists finnagainst the contravictory fibercoptic specialust encyclopedos
everwanderlusting magicwandwriting at Interdisciplinarnia’s parameadows.
This one daddycated to all rejoycing cormacarthritical Road Riverrunners
predixxing the future of powtree to be or not to be chatgpitiable.
Spatiotemplateness bigbenalties for urbiembirical heavydense
of bipolitical partificial intelligentrification.
Hail, the pen-ultimate transactionfiguration.
Wail, the labourhoodwatchmaker, the panoptecepticon’s watchbreaker.
Vassilis Galanos (sometimes known as onesecafterthelaughter) is Lecturer in Digital Work at the University of Stirling, exploring issues of hype, expectations, and expertise in the history and sociology of artificial intelligence and the internet, also interested in the political economy of AI in casualised Higher Education and Research. Vassilis is also a rapper, DJ, photographer, and misses periods of backpacking and hitchhiking. Prefers to abstain from meat and pronouns.
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